Last night at Carnegie Hall, the American Symphony Orchestra presented “Opus Posthumous,” a concert devoted to works that were not first performed until after the deaths of their composers. These included an opera overture by Franz Schubert to an opera never published or performed in his lifetime, Anton Bruckner’s Symphony No. 00 (a study symphony he composed but did not consider suitable for performance), and Antonin Dvorak’s Symphony No. 1, which was composed for entry
Herewith some observations about two encounters with art song in recent days: a wonderful concert of new songs presented by the New York Festival of Song at the Jerome Robbins Theater at the Baryshnikov Arts Center, and a new recording of Franz Schubert’s song cycle, Winterreise, by baritone Tom Meglioranza and pianist Reiko Uchida.
The New York Festival of Song, which presents an extensive series of song recitals at Merkin Concert Hall (north of Lincoln … <Read More>
On Sunday night (January 27), as most of the art-song community was packed into Carnegie Hall to hear a joint recital by the reigning divas of the moment – Renee Fleming and Susan Graham – I was at Central Presbyterian Church to hear the latest installment of Schubert & Co.’s audacious journey through all the lieder of Franz Schubert, allegedly the first time any concert series in New York has attempted to accomplish this feat … <Read More>
I attended Radu Lupu’s piano recital at Carnegie Hall last night. This was a long evening. The program started (late as per Carnegie’s custom these days) at about 8:10 pm, and wasn’t over, including the single brief encore, until close to 10:30 pm. I have no objection to longer-than-usual piano recitals, but I found this one a bit wearying.
And that was because Mr. Lupu’s program seemed to me to be too much focused on … <Read More>