Last Wednesday I attended a perform of William Finn and James Lapine’s new musical show, “Little Miss Sunshine,” at the Second Stage Theatre off-Broadway. This show as inspired by the movie of the same name from several years back. Mr. Lapine directed. I thought the production was well-designed, given the limitations of the small stage, but I did not think this story was crying out for musical treatment. It seemed more like a play with … <Read More>
Carnegie Hall
From Machaut to Sondheim – A NYC Weekend Cultural Diary
This was a very busy weekend on my concert schedule — actually, an extended weekend since it began on Thursday night — so I have much to report. On Thursday night I was at the New York Philharmonic from a program that included the NYC premiere of Christopher Rouse’s Oboe Concerto, played by the NY Philharmonic’s excellent principal oboe player, Liang Wang. On Friday night I attended “Armida: A Baroque Opera Celebration” presented by New … <Read More>
Orchestra of St. Luke’s Begins Carnegie Hall Season for 2013-14
I had a mixed reaction to tonight’s concert by the Orchestra of St. Luke’s, led by Principal Conductor Pablo Heras-Casado, at Carnegie Hall.
The centerpiece of the concert was Benjamin Britten’s Serenade for Tenor, Horn, and Strings, Op. 31, with soloists Ian Bostridge (tenor) and Stewart Rose (horn). As prelude, the orchestra performed Mendelssohn’s Overture to A Midsummer Night’s Dream. After intermission, they played Shostakovich’s Symphony No. 9.
The Britten was splendid, as one could … <Read More>
Orpheus Chamber Orchestra Launches 2013-14 Carnegie Series with Dynamite Beethoven Eroica
Last night I attended the first concert for this season’s Orpheus Chamber Orchestra series at Carnegie Hall. The OCO, which operates without a conductor, performed nine of Johannes Brahms’s Liebeslieder Waltzes, originally written for vocal quartet and piano duo but orchestrated by the composer, a set of variations for piano and orchestra by jazzman Brad Mehldau, and Beethoven’s Eroica Symphony. The juxtaposition of works on this program was a bit unfair to Mehldau, putting him … <Read More>
NYC Musical Diary – More May Concerts – Detroit SO, Alarm Will Sound, Musicians From Marlboro
Being busy with final exams and grading, I haven’t been to as many concerts as usual over the past few weeks, but I wanted to comment about a few:
May 10 in Carnegie Hall I attended one of their “Spring for Music” concerts, a presentation of the four symphonies of Charles Ives by Leonard Slatkin and the Detroit Symphony Orchestra. I’ve been an Ives fan since high school days, when I performed the double bass … <Read More>
Cultural Diary – March 23 through May 1, 2013 – A Busy Season in NYC
Between work, concerts and theater, I’ve been so busy that I’ve generally avoided blogging about the things I’ve been attending over the past five weeks or so. This is a catch-up posting, briefly mentioning that things I haven’t had time to write about in longer posts. This post details the musical events (including opera). In another, I’ll address the theatrical ones.
Beginning at the beginning, with Richard Goode, and – surprise – ending with him … <Read More>
Orpheus Chamber Orchestra in Gabriel Kahane Premiere
I was blessed to be present in Carnegie Hall this evening for the first New York performance of Gabriel Kahane’s absolutely gorgeous song cycle, “Gabriel’s Guide to the 48 States,” performed by the composer with the Orpheus Chamber Orchestra. This was the final OCO Carnegie subscription concert of the season, and it really ended on a high note. Before Kahane’s piece, the ensemble performed the string orchestra version of Arnold Schoenberg’s Verklaerte Nacht with silken … <Read More>
Unfamiliar Operas in NYC Debuts
Andre Previn’s opera based on Tennessee Williams’ play “A Streetcar Named Desire” was composed for the San Francisco Opera about fifteen years ago, had a successful premiere, but had never received a staging in New York. Renee Fleming, the soprano for whom the leading role of Blanche Dubois was written, is an artist-in-residence at Carnegie Hall this season, and was able to enlist the Orchestra of St. Luke’s to include a semi-staged version of the … <Read More>
Orchestra of St. Luke’s – Heras-Casado Debut at Carnegie Hall
Last night I attended the Orchestra of St. Luke’s subscription concert at Carnegie Hall. Pablo Heras-Casado was making his first appearance at Carnegie Hall as principal conductor of the orchestra. Christian Zacharias was the piano soloist in Chopin’s Concerto No. 2, Op. 21. The program began with Beethoven’s Egmont Overture, and continued after intermission with Hans Zender’s orchestration of five piano preludes by Debussy, concluding with the original 1841 version of Robert Schumann’s Symphony No. … <Read More>
West-Eastern Divan Orchestra in Beethoven’s 2nd and 9th Symphonies at Carnegie Hall
I was at Carnegie Hall this afternoon for performances of Beethoven’s 2nd and 9th Symphonies by the West-Eastern Divan Orchestra. This was the concluding concert of their series of all the Beethoven symphonies over the past week, led by their music director and conductor, Daniel Barenboim. I have not previously heard this orchestra in concert, although I’ve heard some recordings. The orchestra brings together young Israeli Jewish and Palestinian musicians, who rehearse intensively together each … <Read More>